UPDATED on June 18th, 2018: Under the forthcoming “Progressive” Conservative majority government in Ontario, taxes will basically only be saved by corporations and rich people, the salaries of the CEO and board of directors of now-non-public Hydro One will somehow be magically adjusted (instead of returning the agency to public hands and actually fixing it), and Doug Ford’s first-promised measure as Premier–getting rid of the cap-and-trade environmental measures–pretty much guarantees that the province will end up instead having an actual carbon tax assessed upon it by the federal government. Those are just for starters.
It will not take very long for the Conservative government to find that, in order to save the money it vaguely has in mind, it will also have to make drastic cuts to health, education, infrastructure, other social services, and so on. No “little guy” will benefit from any of that. Research also shows that the PCs, despite their presumed status as financially prudent, seem to have had the worst fiscal/deficit projections from among the three main parties (NDP, Liberal, PC). In addition, Doug Ford is a millionaire businessman who took over a company from his father, did not run the business very well, is intolerant and inelegant, has said and done numerous stupid things, has associated with questionable people (most of whom support him), and has no political experience (at this level). Does that sound familiar? It should!
The PCs got 60% of the seats (76 of 124) with only 40% of the votes, which just provides yet another example that some kind of fairer, run-off or proportional, voting system needs to be implemented in this province and this country. The NDP will now form the official opposition (with 40 seats), and the incumbent Liberals have now lost official party status (with only seven seats). On the other hand, the Green Party of Ontario elected its party leader as its first MPP.
The Season 4 Remix (2018) of Arrested Development stretches the fifteen original, overlapping, character-based episodes (2013) out to twenty-two. It’s so repetitive that it keeps repeating things repeatedly and repeats them all repetitively with no end of the repetition in sight. Given the multiple points of view already present in the originally-released Season 4, they could have just as easily edited it down to eleven episodes, instead of adding more repetition to come up with twenty-two. I get that 22-episode seasons is the industry standard for syndication, etc., but even the cast members are not happy about their work being extended in such a way. It also just seems like an ill-advised ploy to promote the show in advance of the upcoming Season 5 (2018). The whole thing feels like George Sr.’s Steamboat Willie-ing of the purported US-Mexican border wall.
Here’s my bio for a forthcoming book about The Simpsons (McFarland, 2018), in which I have a chapter called “Be Sharp: The Simpsons & Music.” (I may or may not still try and publish an entire book on the subject.)
Durrell Bowman has a Ph.D. in Musicology (UCLA, 2003), a Certificate in Computer Applications Development (2010), and a Master of Library and Information Science (2018). For about a decade, he developed and taught music history courses as an adjunct or visiting instructor at seven institutions all across North America. He has also worked as a semi-professional choral singer, built websites, and presented numerous conference papers, including several on music in The Simpsons. In addition, he has written books, book chapters, journal articles, media and book reviews, reference entries, and program notes. His books are: Experiencing Peter Gabriel: A Listener’s Companion (Rowman & Littlefield, 2016), Experiencing Rush: A Listener’s Companion (Rowman & Littlefield, 2014), and Rush and Philosophy: Heart and Mind United (co-editor and three chapters, Open Court Publishing, 2011). He hails from what Homer refers to as “America Junior” and agrees with Marge that “grad students just made a terrible life choice.”
In honour of Dr. Stephen W. Hawking’s remarkable work and (even less likely) long life, Albert Einstein’s birthday, Hawking’s status as Distinguished Visiting Research Chair at Waterloo, Ontario’s Perimeter Institute (PI), and Pi Day (3.14), please join me in a slice of pi/e (preferably at 1:59). You may also remember Hawking from his interest in Homer Simpson’s theory of a donut-shaped universe.
I attended the Ontario Library Association’s 2018 Super Conference in Toronto late last week. It was my first conference as a newly-minted MLIS, and I wasn’t sure whether I’d know what to do or whether I’d fit in. The event has hundreds of sessions and hosts about 4500 delegates, but I’m not very good at schmoozing. However, I did meet and talk with some people, including a fellow author (mainly of children’s books about hockey), a colleague of an old friend, and a career centre counsellor. I also ran into lots of people associated with the MLIS program at Western University (London, ON)–and even a few I knew from elsewhere. In addition, I collected up the names of certain people to contact later.
I learned about things at some of the sessions (including poster sessions), such as newer aspects of RDA cataloguing, useful interactive/online learning tools, and a major linked data project. Other sessions, though, covered things I already knew about, such Gold Open Access, universities walking away from publisher “big deals,” basic document accessibility principles, and early career advice. I mainly attended sessions having to do with academic libraries.
The keynote talks I attended by Jesse Wente and Naomi Klein involved more general, library-adjacent, thought-provoking cultural issues of storytelling and community-building. An artist created large posters of those talks as they took place!
My main takeaway re the OLA Super Conference is that I should try to volunteer next year, present something, or at least register in advance. It’s an expensive conference to attend at the last minute, but I did at least have somewhere to stay for free. On the other hand, it’s difficult to plan to attend it ahead of time, because most people with jobs (especially new jobs) would find it awkward to attend something that mainly takes place on weekdays.
Rob Bowman quoted me about Rush’s song “Cygnus X-1” in his liner notes for the 40th anniversary edition of the band’s 1977 album A Farewell to Kings. http://cygnus-x1.net/…/rush/albums-afarewelltokings-40th.php. Thanks, Rob!
As Durrell Bowman (no relation) has noted, the piece “features a substantial amount of electronically generated sounds and sound effects, frequent metrical complexities (28% in asymmetrical meters alone), a large number of tonal areas (eight), a high degree of unison playing (35%), and one of the smallest sung proportions on Rush’s first five studio albums (16%).”
It’s nice to know that someone got as far as page 130 of my 318-page dissertation! I say pretty much the same thing in Experiencing Rush: A Listener’s Companion, but without such nerdy things as percentages and words like “asymmetrical.”