I always sort of hoped that Rush’s drummer-lyricist Neil Peart and I would cross paths at some point and have an interesting conversation. We both first lived on family farms in Ontario, our fathers both worked at International Harvester dealerships, we both wrote multiple books (much of my work being about Rush’s music), we are both Canadians who lived in Los Angeles for a time, he was nicknamed “The Professor,” and I actually once was a Visiting Assistant Professor. Rush’s music is not everyone’s cup of tea, but the complexity (definitely present in the drumming), the constant stream of influences (lyrical and musical), and the work ethic were remarkable. Please consider giving a monetary gift in his memory to a cancer charity of your choice. RIP, Neil.
I’m now employed full-time as an Order Support Specialist on behalf of a major computer technology company. So, as an Unaffiliated Scholar (Ph.D. in Musicology, MLIS, etc.), I’m finding it difficult to continue giving up hundreds of hours of academic work for no pay. The book chapter that was published in 2019 and the journal article coming out in 2020 (both are about parody and intertextuality in the music of “The Simpsons”), as well as my academic library internship of 2016 and 2018 (music, etc.), will probably be my last work for free.
Email greeting from a cell phone provider: “undefined, get ready for back to school … .”
A. That’s Dr. Undefined to you, and B. I really should stop going back to school!
We had another lovely visit to Vicky’s family’s cottage at Big Moose Lake in the Adirondacks in Upstate New York from August 2-14. The vacation included kayaking, a little hiking, swimming, hanging out with ducks, loons, and llamas (!); playing fetch with Dougal, board games (which are some of Gareth’s favourite things), souvenir shopping, barbecues, ice cream, pizza and wings, mini golf, reading, visitors from Utica and Vermont, Emma playing piano at the nearby chapel, and more!
Speaking of the Big Moose Community Chapel, at their annual Bazaar they played recordings of Gordon Lightfoot songs as a warm-up, so I decided maybe we should be allowed to call Adirondack Chairs “Muskoka Chairs” after all!
Here’s my bio for a forthcoming book about The Simpsons (McFarland, 2018, edit: actually 2019), in which I have a chapter called “Be Sharp: The Simpsons & Music.” [I also have a semi-related journal article coming out in MUSICultures in 2020.]
Durrell Bowman has a Ph.D. in Musicology (UCLA, 2003), a Certificate in Computer Applications Development (2010), and a Master of Library and Information Science (2018). For about a decade, he developed and taught music history courses as an adjunct or visiting instructor at seven institutions all across North America. He has also worked as a semi-professional choral singer, built websites, and presented numerous conference papers, including several on music in The Simpsons. In addition, he has written books, book chapters, journal articles, media and book reviews, reference entries, and program notes. His books are: Experiencing Peter Gabriel: A Listener’s Companion (Rowman & Littlefield, 2016), Experiencing Rush: A Listener’s Companion (Rowman & Littlefield, 2014), and Rush and Philosophy: Heart and Mind United (co-editor and three chapters, Open Court Publishing, 2011). He hails from what Homer refers to as “America Junior” and agrees with Marge that “grad students just made a terrible life choice.”
In honour of Dr. Stephen W. Hawking’s remarkable work and (even less likely) long life, Albert Einstein’s birthday, Hawking’s status as Distinguished Visiting Research Chair at Waterloo, Ontario’s Perimeter Institute (PI), and Pi Day (3.14), please join me in a slice of pi/e (preferably at 1:59). You may also remember Hawking from his interest in Homer Simpson’s theory of a donut-shaped universe.