Ticketmaster/StubHub – Who’s Selling What Now?

When I joined the Ticketmaster queue at 12:00 noon today, 6566 “people” were ahead of me to buy tickets in the summer 2026 Rush: Fifty Something pre-sale. So, the pre-sale probably accounted for most of the venue’s seats, and what I encountered was just for the second day out of the four in Toronto. Theoretically, there were tickets for as low as $137.75.

I joined the waiting room within seconds of it opening at 11:30. At 12:05 (in the queue for 5 minutes), it indicated that $137.75 and $173.25 tickets were limited. Clearly, StubHub, TicketSmarter, etc. reseller bots beat me in the waiting list / queue and bought up all the cheap seats first, to sell them at higher prices.

After 12 minutes, there were still 2946 “people” ahead of me, and tickets were by then “very limited.” After a 20 minute wait in the queue, the cheapest seats available to me were $417 each. After another 3 minutes, the cheapest were $608.73 each. After another 2 minutes, the cheapest thing was a hotel/tickets package for two at $1478.91.

StubHub very quickly had new tickets available for the same show on the same day, and the lowest price I saw within an hour was $380 each. A few hours later, it was $431, and StubHub also seemed to know that the event was 88% sold out. Why would a reseller know that, unless it had scooped up basically all of the tickets and replaced Ticketmaster as the seller?

I will try for tickets up to $200 again on Friday, when Ticketmaster’s “general public” sales open. I fully expect things to happen much the same as today. However, I will do a more direct comparison of actual seat-price levels on Ticketmaster and on StubHub. My guess is that their resellers are more than doubling the prices.

The US, Canadian, UK, and other governments need to put an end to the obvious “insider trading,” “antitrust,” scalper-bot shenanigans going on at Live Nation / Ticketmaster / StubHub / TicketSmarter, etc. Even if it’s currently legal, it certainly is not ethical. Actual humans should be able to buy actual tickets at the actual prices.

Computers in Canada – US Limits

I’ve now set up a new-to-me computer: a Dell “one litre” mini, but it was refurbished and updated by Canada Computers. That’s just my first step in limiting the amount of money I give to US companies.

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The Tower (concept album)

I’m still very slowly working on my concept album The Tower (about the various problems with higher education), but I’ve moved beyond “concepts of a plan” to an actual plan. I know what all ten songs are (plus the “bonus track,” which is lyrically only tangentially related to the concept), what 95% of their words are, and what style they’re in. Some are based on much earlier songs and instrumental pieces of mine (but with new lyrics and/or added spoken words), and some are entirely new songs.

It’s going to be very “old school” (say, 1969 to 1984) experimental/electronic music and progressive rock influenced, keyboard-based, classic rock and pop-rock sounding. Parts of it have influences from Tangerine Dream, Supertramp and the Who, David Bowie and Peter Gabriel, Ultravox (probably, contingent on finding certain late-’70s/early-’80s synth and electronic drum sounds), Rush (I like switching into 7/4, etc.), and Laurie Anderson (I’ve figured out pitch shifting, but vocoding so far remains a mystery to me).

I’m using the free (!) Digital Audio Workstation / DAW called Cakewalk, and I use freely available soft synths and other sounds from a variety of sources. Just to give a sense of what this crazy, elaborate type of software is like, here are photos of the first two songs (“Spread Too Thin” and “The Ivory Tower’s Crumbling”), but still without vocals added.

Songwriting and Performing

My songwriting and live performing have converged into using my semi-weighted controller keyboard (which was a gift from Vicky and others some years ago), my DAW (digital audio workstation) software, and numerous virtual instruments and effects. Today, I figured out how to make live song files that map different instruments as splits and layers across 88 keys. There are easier ways to do it, but this way I didn’t have to purchase a digital piano or VST host software. In fact, I didn’t spend anything; even my DAW (Cakewalk by BandLab) was free!

ChatGPT

https://openai.com/blog/chatgpt

ChatGPT

There’s a meme going around about artifical intelligence (AI) software actually being plagiarism software, but that’s not really what’s going on.

I’ve used ChatGPT to see what it would do. For topics where there’s a lot of info out there, it’s maybe 80% on point, but genericizes the info, has no particular (or at least no strong) “thesis,” shows no evidence of research, provides no references (and can’t if you ask it to), and is poorly written. So, all of that is similar to a high school or early undergrad essay that would probably get a C or D.

If it directly took sentences from somewhere without citing them, that would be plagiarism/fail/F, but I don’t find that’s usually what it does. It’s more insidious than that.

On more obscure topics (even when the facts are out there in at least a few places), it makes up almost everything and is only maybe 20% accurate, in addition to many of the above problems. That’s not plagiarism, but it’s a definite fail/F.

The program is actually really good at coming up with poems and lyrics in the style of certain writers, but that is also not plagiarism.

Help Me Get Better LinkedIn!

LinkedIn seems to be mainly useful for people who have had fairly straightforward job experiences within limited industries. It also helps if one has easily highlighted skills, with useful endorsements and recent recommendations by people who know what you’re trying to do.
Numerically to date, my top endorsements are: Music, Singing, Writing, and WordPress, followed by other IT/Computer things (but Software Development?!) and Music things (but Music Theory?!). There’s almost nothing else about my academic work in musicology (just Editing) and absolutely nothing about my work in Library & Information Science.
I’ve added some categories, deleted others, and am trying to get some more recent, relevant people to help me update my skills endorsements and recommendations. I find that very few academics and librarians actually use LinkedIn, but please help me out if you are able to. Thanks!

 

“Deep Digital” Writing & Reading

https://www.theguardian.com/commentisfree/2018/aug/25/skim-reading-new-normal-maryanne-wolf?CMP=fb_gu

This article begs the question as to what “skim writing” might entail. Academic research and writing seem like an awful lot of trouble, given that it takes a long time to produce with almost no-one encountering it after all that. Also, Malcolm Gladwell and others are just going to reorganize selected parts of it, anyhow. Why not skip the middle man? Why shouldn’t we try to get to “deep digital” parallels to writing and reading?

Simpsons book bio

Here’s my bio for a forthcoming book about The Simpsons (McFarland, 2018, edit: actually 2019), in which I have a chapter called “Be Sharp: The Simpsons & Music.” [I also have a semi-related journal article coming out in MUSICultures in 2020.]

Durrell Bowman has a Ph.D. in Musicology (UCLA, 2003), a Certificate in Computer Applications Development (2010), and a Master of Library and Information Science (2018). For about a decade, he developed and taught music history courses as an adjunct or visiting instructor at seven institutions all across North America. He has also worked as a semi-professional choral singer, built websites, and presented numerous conference papers, including several on music in The Simpsons. In addition, he has written books, book chapters, journal articles, media and book reviews, reference entries, and program notes. His books are: Experiencing Peter Gabriel: A Listener’s Companion (Rowman & Littlefield, 2016), Experiencing Rush: A Listener’s Companion (Rowman & Littlefield, 2014), and Rush and Philosophy: Heart and Mind United (co-editor and three chapters, Open Court Publishing, 2011). He hails from what Homer refers to as “America Junior” and agrees with Marge that “grad students just made a terrible life choice.”

Delivery Driver, Occasional Musician, and Former Academic (Ph.D. in Musicology)

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Phoenix Coyote

The Government of Canada’s Phoenix pay system has affected the financial stability of tens of thousands of public employees, including thousands of students and other temporary contract employees. The previous, Conservative government decided to introduce an automated payroll system that would supposedly pay for itself after several years by letting go of 700 compensation advisors in order save $70 million per year. However, insiders insisted that the system was not ready to launch in early 2016, and a combination of technical issues and a lack of training have led to hundreds of thousands of incorrect transactions. The current, Liberal government should have ended Phoenix, because it has had to spend $402 million fixing something that had already cost $310 million in the first place.

I presently work full-time as a Library Technician and Cataloguer on an eight-month co-op placement with the Parks Canada National Library in Cornwall, Ontario. I normally live in Kitchener-Waterloo and do not have a car. The work term is part of my studies towards a Master of Library and Information Science (MLIS; “Plan C”) at Western University. At some point in April 2017, an error was introduced into Phoenix that caused my biweekly pay rate to be only 10% of what it should be, thus causing massive recalculations over my entire period of employment back to early January. On May 3rd, I received pay for a single day (instead of for two weeks), and on May 17th I started receiving no pay at all.

The government now owes me $5300, from $3800 in incorrectly assessed pay and more than $1500 in taxes incorrectly withheld even before the pay-rate error. My efforts to address the errors have not gotten me very far. I have contacted my manager, another manager, a staffing advisor, a finance and administration officer, an additional administrative officer, the Phoenix feedback process, and the Pay Centre, both by phone and by email. Everyone claims that the matter is out of their hands and that almost no-one has access to the necessary pay files.

Towards the end of May, the Government of Canada gave me an “emergency salary advance” covering 60% of what I’m owed for April. It is thus neither my salary–in fact, it is approximately minimum wage–nor an advance–as it is about a month late. Also, I once again did not get paid on May 31st, this time for the period from May 4-17. Meanwhile, Western University happily continues to post government co-op jobs, when it knows full well that these types of problems have been affecting student employees, especially at Parks Canada, for over a year.

My plan for the student co-op placement was that I would be able to save just enough money to pay my fees and tuition for the 2017 winter, summer, and fall terms and to complete my program by December. However, I did not have enough money at the end of May to pay the fees for my summer co-op placement and two courses. So, I had to drop one of the courses I started at the beginning of May. Also, given that I have no credit card or savings, I had to borrow $600 just to make it through to the end of June. I have no idea how I will cover my rent and groceries (and everything else) after the end of June.

I have my Ph.D. in Musicology (UCLA, 2003; “Plan A”) and recently researched and wrote Experiencing Rush: A Listener’s Companion (2014) and Experiencing Peter Gabriel: A Listener’s Companion (2016). From 1999 to 2008, I taught dozens of music history courses as a part-time or visiting instructor at seven universities. I then studied Information Technology in 2009-10 (“Plan B”) and worked a little in website and web content development. Incredibly, $706 a month on welfare or an actual minimum-wage job are looking like pretty good options at this point!

See also Luisa D’Amato’s column in the Waterloo Region Record about how the Government of Canada’s terrible Phoenix payroll system has negatively affected me.