Ticketmaster/StubHub – Who’s Selling What Now?

When I joined the Ticketmaster queue at 12:00 noon today, 6566 “people” were ahead of me to buy tickets in the summer 2026 Rush: Fifty Something pre-sale. So, the pre-sale probably accounted for most of the venue’s seats, and what I encountered was just for the second day out of the four in Toronto. Theoretically, there were tickets for as low as $137.75.

I joined the waiting room within seconds of it opening at 11:30. At 12:05 (in the queue for 5 minutes), it indicated that $137.75 and $173.25 tickets were limited. Clearly, StubHub, TicketSmarter, etc. reseller bots beat me in the waiting list / queue and bought up all the cheap seats first, to sell them at higher prices.

After 12 minutes, there were still 2946 “people” ahead of me, and tickets were by then “very limited.” After a 20 minute wait in the queue, the cheapest seats available to me were $417 each. After another 3 minutes, the cheapest were $608.73 each. After another 2 minutes, the cheapest thing was a hotel/tickets package for two at $1478.91.

StubHub very quickly had new tickets available for the same show on the same day, and the lowest price I saw within an hour was $380 each. A few hours later, it was $431, and StubHub also seemed to know that the event was 88% sold out. Why would a reseller know that, unless it had scooped up basically all of the tickets and replaced Ticketmaster as the seller?

I will try for tickets up to $200 again on Friday, when Ticketmaster’s “general public” sales open. I fully expect things to happen much the same as today. However, I will do a more direct comparison of actual seat-price levels on Ticketmaster and on StubHub. My guess is that their resellers are more than doubling the prices.

The US, Canadian, UK, and other governments need to put an end to the obvious “insider trading,” “antitrust,” scalper-bot shenanigans going on at Live Nation / Ticketmaster / StubHub / TicketSmarter, etc. Even if it’s currently legal, it certainly is not ethical. Actual humans should be able to buy actual tickets at the actual prices.

Not Travelling to the US

There’s no way I’m travelling to the US in the foreseeable future. I may never go there again. It’s no longer anything like it was when I lived there in 1995-2000, 2007-08, and 2010. It already used to rank moderately low on international and even US-based rankings of things like freedom, democracy, life expectancy, relative cost of health coverage, and most other things. Its rankings have been far below those of European countries, Canada, Australia, and others.

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Don’t Trust Poilievre

Canadian Conservative leader Pierre Poilievre has never done a single thing except to complain about Canada being broken and to vote against everything the government has done or proposed to do to make things better for people. His current platform is just a flip-flop containing a few things he never actually wanted in the past, and he would probably change his tune about them in the near future. I don’t trust him.

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Ontario, Canada’s “Sunshine List”

$100,000 is now much too low of an annual salary threshold for Ontario, Canada’s annual, public sector “Sunshine List.” In 2024, a total of 377,666 public sector employees made at least that much, up from 300,680 in 2023.

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Canadian Politics

I have traditionally voted for Canada’s New Democratic Party (NDP), because that is the political party most closely aligned with my progressive beliefs and values. However, I have recently switched to supporting the somewhat more centrist Liberals, because the flip-flopping of the Conservatives’ Pierre Poilievre from criticizing Canada as being broken, obsessing about axing the carbon tax, and loving/aping Trump to “Canada First … For A Change” (whatever the f$%k that means) is just ridiculous.

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Computers in Canada – US Limits

I’ve now set up a new-to-me computer: a Dell “one litre” mini, but it was refurbished and updated by Canada Computers. That’s just my first step in limiting the amount of money I give to US companies.

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“The Tower” (concept album)

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album cover of "The Tower" (concept album) - by Dr. B. (Durrell Bowman, Ph.D.)

Welcome to The Tower – by Dr. B. (Durrell Bowman, Ph.D.), 2024, 47:05: a Progressive, Pop-Rock, Experimental-Electronic Concept Album about One Person’s Path into and Exit from Higher Education. It’s available for streaming and/or download for $7 Canadian (approximately $5 US) on Bandcamp. You can choose to pay more, if you want to. Some of the eleven songs are new or new-ish, but often evoking certain existing styles and/or artists … especially from, say, 1969 to 1984. (I guess that’s my “Eras!” 🤪) Some of the songs are not so recent (one is as old as high school old!), but re-written with new words and re-arranged. The three weirdest pieces were composition-course projects to which I’ve now added words and vocal effects.

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The Tower (concept album)

I’m still very slowly working on my concept album The Tower (about the various problems with higher education), but I’ve moved beyond “concepts of a plan” to an actual plan. I know what all ten songs are (plus the “bonus track,” which is lyrically only tangentially related to the concept), what 95% of their words are, and what style they’re in. Some are based on much earlier songs and instrumental pieces of mine (but with new lyrics and/or added spoken words), and some are entirely new songs.

It’s going to be very “old school” (say, 1969 to 1984) experimental/electronic music and progressive rock influenced, keyboard-based, classic rock and pop-rock sounding. Parts of it have influences from Tangerine Dream, Supertramp and the Who, David Bowie and Peter Gabriel, Ultravox (probably, contingent on finding certain late-’70s/early-’80s synth and electronic drum sounds), Rush (I like switching into 7/4, etc.), and Laurie Anderson (I’ve figured out pitch shifting, but vocoding so far remains a mystery to me).

I’m using the free (!) Digital Audio Workstation / DAW called Cakewalk, and I use freely available soft synths and other sounds from a variety of sources. Just to give a sense of what this crazy, elaborate type of software is like, here are photos of the first two songs (“Spread Too Thin” and “The Ivory Tower’s Crumbling”), but still without vocals added.

Work Update

Our union (0PSƏU) reps are having meetings this week with our employer (L1feL@bs) and an arbitrator. About a month ago, we overwhelmingly voted for strike action, if no new deal can be arranged. However, only about a quarter of our drivers have full-time routes, and a further quarter or so are permanent part-time (21 guaranteed weekly hours, with benefits). I assume that most of those drivers usually feel like actual employees.

About half of us are casual/on-call drivers (without benefits) and don’t necessarily get more than two shifts per week, especially outside of the summer vacation period. I’m in the bottom half of the seniority list and probably will be for quite a while. Even a permanent part-time position apparently only comes up once every year or two. Most of our part-time and casual drivers are retired or semi-retired from other things and already have pensions, other retirement savings, and benefits in place from those, not to mention being homeowners. A few of us do not have any of those things. Once my employment insurance top-up from being laid off from my last job ends in a few months, things will get very tough. I guess I need to find a second part-time job.

Our work is important: picking up medical specimens and delivering accumulated bags, sharps bags, empty bags, supplies, and reports (“mail”). A few routes have as many as 70-120 stops, but some of them are multiple doctors’ offices in larger buildings, of which some are report delivery only. Several routes each take many dozens of full bags from the Kitchener-Waterloo/Cambridge/Guelph/Fergus and surrounding area to major facilities in Etobicoke and Mississauga (about an hour or more away, in the Greater Toronto Area), where the specimens are processed. Sometimes, our manager gets stuck at the last minute having to hire a third-party company, which gets paid two to three times more than we do, even though their drivers skip many thing (e.g., sharps, empties, supplies, and mail) and frequently make mistakes.

After only about five months, I’ve already done (or, in a few cases, just been trained on) 14 of our 17 routes. However, even with extensive notes it’s hard to be efficient, stay on schedule, and get one’s breaks in when there can be a gap of up to several months before doing the same route again. Also, all routes have aspects that are illogically arranged and expected stop timings that are impossible, even for the most experienced drivers. My favourite is downtown Guelph to Rockwood back to downtown Guelph to west Waterloo in 52 minutes, including all of the time it takes to do things at these places.

We drive all over the place in all weather conditions and deal with potentially hazardous things all day (anywhere from 8 a.m. to 1:30 a.m.), but we are the company’s lowest paid employees. The company is just being sold, though, and the new owner’s US drivers actually get paid more per hour (in equivalent Canadian dollars) than we do. I hope this week’s meetings will address some of these things.

Songwriting and Performing

My songwriting and live performing have converged into using my semi-weighted controller keyboard (which was a gift from Vicky and others some years ago), my DAW (digital audio workstation) software, and numerous virtual instruments and effects. Today, I figured out how to make live song files that map different instruments as splits and layers across 88 keys. There are easier ways to do it, but this way I didn’t have to purchase a digital piano or VST host software. In fact, I didn’t spend anything; even my DAW (Cakewalk by BandLab) was free!