“Cut Every Corner: Intertextuality and Parody in the Music of The Simpsons” (journal article)

My journal article, “Cut Every Corner: Intertextuality and Parody in the Music of The Simpsons,” appears in the 2020 “Parody: Intertextuality and Music” issue of MUSICultures.

https://journals.lib.unb.ca/index.php/MC/article/view/31402

“Shary Bobbins”
“Cut Every Corner”
MUSICultures, Vol. 47 (2020)

Abstract

This article reworks ideas about parody, postmodernism, and television from such critical and cultural theorists as Linda Hutcheon, Jason Mittell, and Jonathan Gray to contextualize the wide variety of parody and intertextuality in the music of the animated TV show The Simpsons. It explores several categories of the show’s music, such as: variations of cartoon themes, songs, instrumental underscoring, and guest musicians. This article particularly uses specific episodes of The Simpsons to highlight parodies of the show’s own theme, movie music, themes from other TV shows, and so on. The show’s music thus functions as a kind of court jester or king’s fool.

Meta Plow

Hilariously, these several plow-dudes plowed their way to work this morning in their snow-plow-fitted pickup trucks and then switched over to their industrial-strength snow plows.

“Meta Plow, that’s their name; that name again is Meta Plow.”

“Be Sharp: ‘The Simpsons’ and Music”

My book chapter, “Be Sharp: ‘The Simpsons’ and Music,” appears in: The Simpsons’ Beloved Springfield: Essays on the TV Series and Town That Are Part of Us All (McFarland, 2019)